"Jacobs collaborated with the video artist Charles Atlas to create the film that played simultaneously with the show. They shot the piece Sunday evening, and Atlas spent the whole night in the editing booth finishing it.
With most of the models in varying stages of dishabille, Jacobs appeared to be saying something conceptual about the process of getting dressed—or getting undressed—but he was typically vague backstage. "It's cartoon versions of all the women I know—conservative types, vamps, everybody," he allowed. From the looks of two number-emblazoned team-jersey T-shirt dresses that appeared on his runway, there are footballers' wives in the designer's inner circle along with all of those rockers and artists. One thing's for certain: He's moved on from last season's bourgeois austerity. This sublime performance was about sex, which is one of the reasons why we couldn't look away"
http://www.style.com/fashionshows/review/S2008RTW-MJACOBS/
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Jacobs ' s Fashion statement:
There’s this two-dimensional, three-quarter-portrait quality to all the pictures you see in every magazine. They’re of nobodies, somebodies and half-somebodies.”
The theme was sexiness this collection.
Cashmere sweaters were inset with sheer panels at the waist, and reconstructed black bugle-bead evening dresses came suspended from their nude linings.
When we look at this fashion show, we cannot image sex. That is Jacobs want to present his idea this collection.
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